And then Dre and I were exchanging Instagram links of different bands that we liked, and there was one group that he liked I sent called The Glitch Mob. So I found, and I had worked with before, a drill team called the Black Diamonds Drill Team based out of South Central. She was like, “Fatima, I’m an English woman, you have to be my street guide and let me know what we should populate these rooms with to make it make sense.” It was like if you can look at the city from an overhead shot, what would that look like and feel like? And that’s why they did the tarp on the floor, so that you really felt like we bought a block of Compton inside of SoFi Stadium. She wanted to just like, “What if we pull a street from Compton or pull the different popular places there that people go to,” like Dre used to DJ at Eave’s After Dark and Tam’s Burgers is where everyone would hang out and the Martin Luther King building was another one that that she put there. She’s based out of London and she basically did a tour of Compton and she felt like there’s parts of Compton that are so iconic. With five individual artists and these elaborate set pieces, what was your overall vision?Įs Devlin was the production creative on this. So there were definitely responsibilities and obligations to the culture and stuff that I felt like we were really trying to stay true to, but to get the response that we’ve gotten has just been so great. You go into it wanting to do the best job you can do and you go into it wanting to represent hip hop in such a major way because it’s the biggest stage I think it’s even been on. TelevisaUnivision Inks Deal With CBS, NFL to Televise Super Bowl LVIIIįirst off, what has it been like seeing the response to the show?
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